Artworks
Sculpture, performance and Painting
The Bride – Artwork
The Bride is a large-scale textile work featuring five golden, mask-like faces on raw canvas. From the open mouth of the central figure, shimmering fabric spills onto the floor, resembling an extravagant bridal dress.
Hunting Bitch – Artwork
Hunting Bitch reclaims the language of battle painting for a fierce female presence aligned with Artemis, the ancient huntress of the wild. Surrounded by beasts, flame, and motion, the figure appears not as victim or ornament, but as the epicenter of force.
Medusa Portrait – Artwork
Medusa appears not as monster, but as a misunderstood figure of power whose presence helped shape a body of work that continues to unfold.
Totentanz triptychon – Artwork
The triptych “Totentanz” borrows the visual language of Christian art history, but turns it toward a playful meditation on death.
Jeanne d’Arc– Artwork
Jeanne d’Arc remains one of the most enduring female archetypes in European history. This life-sized needle-felted head honors her.
Hexe von Endor Portrait – Artwork
The Witch of Endor stands as a heroine of dangerous female knowledge. She is the woman a king turns to when power fails – a rare and enduring place among female archetypes of magic, authority, and spiritual threshold.
Rites of Spring – Artwork
Rites of Spring is a ceremonial flag that binds mortality to renewal, holding skull, bloom, and radiance in a single emblem.
Schamanin Portrait – Artwork
The Shaman Woman of Bad Dürrenberg recalls one of the most powerful female figures of European prehistory. This portrait painting is dedicated to her.
Daydream – Artwork
A new narrative in the old tongue. “Daydream” quotes old masterly painting with a heroin and her feral beasts. Oil paint on canvas.
Talking to Ghosts – Artwork
Talking to Ghosts is a flag raised for the Siberian Ice Maiden. The flag bows as much as it signals.
The Cranium Archive – Artwork Series
Catalogue of inner beauty, hosts withdrawn. Conceived as a system, the archive catalogues condensed traces of memory, intention, and projection as the most intimate form of portrait possible.
Wolfmother – Artwork
“Wolfmother” traces the rise and eventual fragility of patriarchal order — from the wolf as ancient maternal figure and ritual mediator to the disciplined shepherd dog as symbol of obedience and control.
St. Inbetween icons – Artwork
St. Inbetween, the Saint of the Threshold, returns in three small icons—three fragments of a broken gospel.
Pezzentelle Table Altar – Artwork
Per devozione: A table altar dedicated to everything that has no tomb, no name, and yet refuses to go quiet.
Medusa – Artwork
Medusa is both guardian and wound, resurrection and refusal. A mirror turned toward those who would name power as sin.
Saint Inbetween – Artwork
In times unmade by certainty, Saint InBetween rises — a patron of thresholds, of becoming, of identity in flux.
Sophia: Holy enough to bleed on – Artwork
This banner is carried in processions, ceremonies, and performances by Maison Douce.
The Master’s House is on Fire – Artwork
This banner is carried in processions, ceremonies, and performances by Maison Douce. Made of velvet, needlefelted object and leaf gold, this procession Banner is dedicated to “the Master´s house is on Fire”.
Benediction - artwork
Artwork Procession banner: Blessing and omen, worship and resistance. A sigil for those who walk between worlds.