Hunting Bitch reclaims the language of battle painting for a fierce female presence aligned with Artemis, the ancient huntress of the wild. Surrounded by beasts, flame, and motion, the figure appears not as victim or ornament, but as the epicenter of force.

Medusa appears not as monster, but as a misunderstood figure of power whose presence helped shape a body of work that continues to unfold.

The triptych “Totentanz” borrows the visual language of Christian art history, but turns it toward a playful meditation on death.

Jeanne d’Arc remains one of the most enduring female archetypes in European history. This life-sized needle-felted head honors her.

The Witch of Endor stands as a heroine of dangerous female knowledge. She is the woman a king turns to when power fails – a rare and enduring place among female archetypes of magic, authority, and spiritual threshold.

The Shaman Woman of Bad Dürrenberg recalls one of the most powerful female figures of European prehistory. This portrait painting is dedicated to her.

A new narrative in the old tongue. “Daydream” quotes old masterly painting with a heroin and her feral beasts. Oil paint on canvas.

Talking to Ghosts is a flag raised for the Siberian Ice Maiden. The flag bows as much as it signals.